elliptical-dot screen - определение. Что такое elliptical-dot screen
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Что (кто) такое elliptical-dot screen - определение

Ellipticism; Elliptical Poet; Elliptical Poetry
Найдено результатов: 1220
Elliptical trainer         
  • [[ElliptiGO]] trainers are elliptical but not stationary.
  • Row of elliptical trainers at a gym (right)
EXERCISE EQUIPMENT
Elliptical machine; Cross trainer; Eliptical machine; Cross-trainer; Eliptical exercise; Elliptical Trainer; Eliptical trainer
An elliptical trainer or cross-trainer is a stationary exercise machine used to stair climb, walk, or run without causing excessive pressure to the joints, hence decreasing the risk of impact injuries. For this reason, people with some injuries can use an elliptical to stay fit, as the low impact affects them little.
DOT (graph description language)         
  • An image that seems improperly rendered
  • A graph with attributes
  • A directed graph
  • An undirected graph
  • rendering]] of the example script using the tool <code>dotty</code>
  • Binary tree generated in Graphviz from a DOT description by an online [http://huffman.ooz.ie/ Huffman Tree generator]
FILE FORMAT
DOT Language; Dot language; DOT computer language; DOT Graph; Dot Graph; Dot graph; DOT graph; .gv; DOT language
DOT is a graph description language. DOT graphs are typically files with the filename extension gv or dot.
Dot distribution map         
  • Representative dot density map of Acres of Harvested Wheat in Illinois in 2012, using county-level aggregate data.
  • de Montizon's 1830 ''Carte Philosophique figurant la Population de la France'', the earliest known dot density map.
  • A one-to-one dot distribution map, identifying concentrations of homicides in Washington, D.C.
  • von Mentzer's 1859 dot density map of Sweden and Norway, probably the first fully-developed representative dot density map.
  • This one-to-one dot map shows the 1,300 immigrants from Germany and Switzerland in Salt Lake City, Utah in 1900 in black, compared to all 55,000 residents shown in gray. Note the blocks in which residents of the same household have been spread into distinct points using the "Grid" renderer in QGIS.
  • clusters]] of cholera cases in the London epidemic of 1854. The pump is located at the intersection of Broad Street and Little Windmill Street.
  • Shapter's 1849 map of the 1832-1834 Cholera outbreak in Exeter, with different symbols for cases in each year.
  • Valentine Seaman's map of the 1796 outbreak of [[yellow fever]] in New York City, showing disease cases by numbered dots that were analyzed in the text.
TYPE OF MAP
Dot Distribution Maps; Dot map
A dot distribution map (or a dot density map or simply a dot map) is a type of thematic map that uses a point symbol to visualize the geographic distribution of a large number of related phenomena. Dot maps are a type of unit visualizations that rely on a visual scatter to show spatial patterns, especially variances in density.
Screen (sports)         
  • Isaiah Hicks screens [[Jarell Martin]] and [[Marcus Lee]] for Chris Walker at the [[2013 McDonald's All-American Boys Game]].
BLOCKING MOVE BY AN OFFENSIVE PLAYER IN TEAM SPORTS
Screen (basketball); Pick (basketball); Set a screen; Screen-setter; Moving screen; Illegal screen
A screen is a blocking move by an offensive player in which they stand beside or behind a defender in order to free a teammate to either shoot a pass or drive in to score. In basketball and field lacrosse, it is also known as a pick.
rood loft         
  • Usual location of a rood screen
  • St Albans Abbey]]
  • Rood and beam of 1275, but no screen, at [[Öja Church]] on the island of [[Gotland]] in Sweden, where many exceptional roods have survived.
  • alt=
  • St. Helen's church, Ranworth]], Norfolk
  • Crucifixion atop Rood Screen, Anglo-Catholic [[Church of the Good Shepherd (Rosemont, Pennsylvania)]]
  • ambo]]s, left and right.
  • alt=
PARTITION BETWEEN THE CHANCEL AND NAVE FOUND IN MEDIEVAL CHURCH ARCHITECTURE
Altar-screen; Rood loft; Rood Screen; Screen, Altar; Chancel screen; Choir screen; Choir Screen; Rood beam; Choir-screen; Roodscreen; Rood-beam; Jubé; Rood-screen; Rude screen; Painted rood screen; Rood-loft; Chancel-screen
¦ noun a gallery on top of a rood screen.
rood screen         
  • Usual location of a rood screen
  • St Albans Abbey]]
  • Rood and beam of 1275, but no screen, at [[Öja Church]] on the island of [[Gotland]] in Sweden, where many exceptional roods have survived.
  • alt=
  • St. Helen's church, Ranworth]], Norfolk
  • Crucifixion atop Rood Screen, Anglo-Catholic [[Church of the Good Shepherd (Rosemont, Pennsylvania)]]
  • ambo]]s, left and right.
  • alt=
PARTITION BETWEEN THE CHANCEL AND NAVE FOUND IN MEDIEVAL CHURCH ARCHITECTURE
Altar-screen; Rood loft; Rood Screen; Screen, Altar; Chancel screen; Choir screen; Choir Screen; Rood beam; Choir-screen; Roodscreen; Rood-beam; Jubé; Rood-screen; Rude screen; Painted rood screen; Rood-loft; Chancel-screen
¦ noun a screen of wood or stone separating the nave from the chancel of a church.
Projection screen         
  • [[Inflatable movie screen]]
  • An [[overhead projector]] projecting onto a pull-down screen
WHITE SCREEN FOR PROJECTING
Projection Screen; Screen gain; Gain (screen); Projector screen; Screened; Projection screens; Movie screen; Screen mirroring; Screen Mirroring
A projection screen is an installation consisting of a surface and a support structure used for displaying a projected image for the view of an audience. Projection screens may be permanently installed, as in a movie theater; painted on the wall;Acrylic paint used to make a movie screen on the wall (see screen goo) or portable with tripod or floor rising models as in a conference room or other non-dedicated viewing space.
Rood screen         
  • Usual location of a rood screen
  • St Albans Abbey]]
  • Rood and beam of 1275, but no screen, at [[Öja Church]] on the island of [[Gotland]] in Sweden, where many exceptional roods have survived.
  • alt=
  • St. Helen's church, Ranworth]], Norfolk
  • Crucifixion atop Rood Screen, Anglo-Catholic [[Church of the Good Shepherd (Rosemont, Pennsylvania)]]
  • ambo]]s, left and right.
  • alt=
PARTITION BETWEEN THE CHANCEL AND NAVE FOUND IN MEDIEVAL CHURCH ARCHITECTURE
Altar-screen; Rood loft; Rood Screen; Screen, Altar; Chancel screen; Choir screen; Choir Screen; Rood beam; Choir-screen; Roodscreen; Rood-beam; Jubé; Rood-screen; Rude screen; Painted rood screen; Rood-loft; Chancel-screen
The rood screen (also choir screen, chancel screen, or jubé) is a common feature in late medieval church architecture. It is typically an ornate partition between the chancel and nave, of more or less open tracery constructed of wood, stone, or wrought iron.
Screened         
  • [[Inflatable movie screen]]
  • An [[overhead projector]] projecting onto a pull-down screen
WHITE SCREEN FOR PROJECTING
Projection Screen; Screen gain; Gain (screen); Projector screen; Screened; Projection screens; Movie screen; Screen mirroring; Screen Mirroring
·Impf & ·p.p. of Screen.
Gamemaster's screen         
  • A gamesmaster (left) behind a screen
EQUIPMENT OF TABLETOP ROLE-PLAYING GAME
DM screen; GM screen; GM's screen
A gamemaster's screen, also called a GM's screen, is a gaming accessory, usually made out of either cardboard or card stock, and is used by the gamemaster to hide all the relevant data related to a tabletop role-playing game session from the players in order to not spoil the plot of the story. It also hides any dice rolls made by the gamemaster that he or she does not want players to see.

Википедия

Elliptical poetry

Elliptical poetry or ellipticism is a literary-critical term introduced by Frederick Pottle in The Idiom of Poetry. Pottle's ideas were expounded upon by Robert Penn Warren in his essay "Pure and Impure Poetry." The critic Stephanie Burt repurposed the term in a 1998 essay in Boston Review on Susan Wheeler, and expanded upon in an eponymous essay in American Letters & Commentary. Since the publication of that essay, and a number of accompanying responses in the same journal elliptical poetry", "ellipticism" and "elliptical poets" have entered the critical discussion of contemporary American poetry as a significant point of reference; Wheeler notes in an introduction to Burt at the Poetry Society "hearing, on several spooky occasions, in conferences with graduate students, 'but I want to be an elliptical poet.'"

In "Pure and Impure Poetry" (1943, Kenyon Review), Robert Penn Warren wrote, "In a recent book, The Idiom of Poetry, Frederick Pottle has discussed the question of pure poetry. He distinguishes another type of pure poetry in addition to the types already mentioned. He calls it the 'Elliptical,' and would include in it symbolist and metaphysical poetry (old and new) and some work by poets such as Collins, Blake, and Browning. He observes-without any pejorative implication, for he is a critical relativist and scarcely permits himself the luxury of evaluative judgments-that the con- temporary product differs from older examples of the elliptical type in that 'the modern poet goes much farther in employing private experiences or ideas than would formerly have been thought legitimate.' To the common reader, he says, "the prime characteristic of this kind of poetry is not the nature of its imagery but its obscurity: its urgent suggestion that you add something to the poem without telling you what that something is."

The statement of the notion by Burt in the Boston Review article suggested that "Elliptical poets try to manifest a person—who speaks the poem and reflects the poet—while using all the verbal gizmos developed over the last few decades to undermine the coherence of speaking selves. They are post-avant-gardist, or post-'postmodern': they have read (most of them) Stein's heirs, and the 'language writers,' and have chosen to do otherwise. Elliptical poems shift drastically between low (or slangy) and high (or naively 'poetic') diction. Some are lists of phrases beginning 'I am an X, I am a Y.' Ellipticism's favorite established poets are Dickinson, Berryman, Ashbery, and/or Auden; Wheeler draws on all four. The poets tell almost-stories, or almost-obscured ones. They are sardonic, angered, defensively difficult, or desperate; they want to entertain as thoroughly as, but not to resemble, television."

Discussing the term later in Poetry Magazine, Tony Hoagland wrote, "Burt’s definition is quite general in order to encompass the diversity of the poetry [she] champions, but [she] gets the mania and the declarativeness right. Also the relentless dodging or obstruction of expectation."

C. D. Wright, a poet termed elliptical by Burt, states her nervousness about the label in an interview with Kent Johnson in Jacket Magazine: "Regarding the elliptical business, I’m less enthusiastic. But I do think it is a stab at authentication of poets who don’t belong to a team and whose work is reluctant to be either excluded or subsumed by one or the other, yet has sympathetic concerns to certain strains and not to others."

In a 2009 essay, also in Boston Review, Burt proposed that a poetic movement she called "The New Thing" has succeeded ellipticism.